M.S.V was a rage in Composing right from the 70s era- just when Indian Cinema was shaping up its best. His compositions shook a generation of music lovers with the perfect ingredients of melodious magic. This doesn’t mean he did not give fast paced compositions because some of his songs became the anthems of youth those days. As it is said “Art is long and life is short” , iQlikmovies remembers these fantastic songs from the legendary musical personality – Mel Isai Mannar- M.S.V!
Andala O Chilaka- P.B.Srinivas, Suseela-Letha Manasulu- 1966:
An evergreen song which has interesting usage of banjo in a pronounced manner by the innovative composer MSV. Sung by the peculiar P.B.Srinivas and Suseela, this song will always be remembered as long as the World exists for its relaxed nature and fun moments.
Devude Icchadu Veedhi Okati- Yesudas- Anthuleni Kadha- 1976:
This song touches the most deep philosophical schools of thought in less than four minutes of duration through music and lyrics. The youthful and fresh voice of K.J. Yesudas added to the emotional touch of the song- which brought a new wave of such philosophical solos for him in his career later. Athreya’s heart touching lyrics became another jewel to this crown. Not to forget Superstar Rajnikanth’s amazing acting performance as the unsuccessful youth who depends on his sister played by young Jayaprada.
Thaali Kattu Subhavela- SPB- Anthuleni Kadha- 1976:
After the amazing advent of Sri Seetha Ramula Kalyanam song which rocked Telugu Lands for nearly two decades, this modern wedding mimicry song is no less! S.P.B’s emotional rendition which speaks of happiness, hidden sadness and elation is perfectly in sync in this number. Balachander’s master class story narration is brilliantly conceived in this song throughout.
Vidhi Cheyu Vinthalanni-Vani Jayaram- Maro Charitra- 1978:
Well, we all know the extreme popularity of Ye Theega Poovuno and Bhale Bhale Magadivoi from this film but the real crux of the film is portrayed in the song Vidhi Cheyu Vinthalanni sung phenomenally by Vani Jayaram. The estrangement between lovers, the transformation of the hero and the sadness of the heroine are shown in parallel through music. Composed in Hindustani Raag Behag, this song proved that MSV can give an out and out classical composition which could pull the heartstrings of any individual.
Junior Junior..Atu Itu Kaani- S.P.B- Idhi Kadha Kadhu- 1979:
The trend of mimicry songs was indeed started by M.S.Vishwanathan which have a variety of emotional touches such as comedy, sentiment, amazement and innovation. This song portrays a ventriloquist who expresses his love towards the female protagonist through his skills. This path breaking innovative concept was implemented musically to perfection by MSV. Coincidentally, this song was penned by Athreya as well!
Kurralloy Kurrallu-S.P.B- Andamaina Anubhavam- 1979:
This evergreen youthful classic can be termed as the most modern composition even till date. The song became one of the all time hits in S.P.B’s career and no concert of his remains complete without performing this song. Apart from being a mesmerizing composition, it reflects the spirited youthful nature and the capability of youngsters to achieve or attain anything in life. It is interesting to note that this song was remixed in a film called Kurradu starring Varun Sandhesh and sung by S.P.B with equal vigor again. It is not only an anthem for Telugu Households but for South Indian Cinema as it was remixed by Yogi B for Dhanush starrer Polladhavan as well.
Rekkalu Thodigi- S.P.B and Suseela- Chuttalosthunnaru Jagratta- 1980:
If anybody could be tempted to brand MSV as a classy composer and cannot compose funky commercial numbers, here is an example. This song is immensely cool and trendy for that age, without losing the Indian melodious touch. This remains to be one of the best songs for Krishna in his career!
Oh Paidi Ledammma- S.P.B- 47 Rojulu- 1981:
It is nothing surprising to speak about women empowerment at this fast paced age but when things are little troubled and meek, one filmmaker decided to speak his voice against cruelty on women and their equal rights. He is none other than Balachander and our dear composer MSV rightfully adds the musical flavor to such challenging theme through this song. Nobody can forget the amazing performances of Chiranjeevi as the baddie and Jayaprada as the damsel in distress in this flick!
Kanne Pillavani- S.P.B and S.Janaki- Akali Rajyam- 1981:
This is a unique composition and a cinematic situation where the female lead sings a random tune and the hero spontaneously sings the tune with his own lyrics. It is perhaps the first time in Telugu Cinema such song graced on screen and MSV’s laid back orchestration and lovely interludes add more value to it. A well deserved mention to Athreya for writing lines like “Sangeetham Neevaithe.. Saahityam Nenautha” for this classic!
Musi Musi Navvula- Suseela- Pelleedu Pillalu-1982:
While the eternal combination of MSV- Balachander is hailed all the way, this doesn’t mean other legendary directors couldn’t manage to get the best of this maestro! Here is one amazing solo sung by the sweet Suseela in her extravagant style. Directed by the artistic filmmaker Bapu, this song is a melody lover’s delight!
